What i leave in my head, all the reasons i've had
they can never breath the light.
With all the languages at hand, still i can't understand
what it means and where to go.
We are slaves to the slaves, im a servant, im a saint.
We are not allowed to walk astray.
For each atom is alive, nothing ever will collide, see we're already connected.
I see an ending to embrace so when it aches i let it go.
Before it's over i will speak, to settle my relief.
You said it again, you said it's all mad.
Well im the first to agree.
But you're nothing to me,
Im nothing to you.
We're not the answer.
We're fading out of reach so goodbye
supported by 30 fans who also own “From Here To Where It All Ends”
A unique conglomeration of progressive djent that just slightly edges towards alternative and dare I say pop. Remarkably catchy front to back VOLA’s sound is a breath of fresh air. Even my friends who don’t like metal like these guys. 9/10 RJ
supported by 29 fans who also own “From Here To Where It All Ends”
I never cared about symphonic metal at all. I do very much care about folk as well as progressive metal, and so I couldn't resist after reading the third exceptional AMG review for Wilderun in a row. 'Sleep...' has been on my radar for quite some time, being graced by one of the most beckoning cover arts I have ever seen. The band more than lives up to its reputation, composing great musical pieces from start to finish. I absolutely love the multitude of influences being put together here. David Fischer
supported by 28 fans who also own “From Here To Where It All Ends”
The songs are masterfully composed and flow together beautifully, and the orchestration is exactly how I want metal orchestration to sound: full, playable by a real orchestra, and just as important to the music as the vocals, drums, guitar, and bass are. tonycordeshimself